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The current and official versions of the course specifications are available on the web at .
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PHT1001 Foundations of Photography 2

Semester 2, 2020 Online
Short Description: Foundations of Photography 2
Units : 1
Faculty or Section : Faculty of Business, Education, Law and Arts
School or Department : School of Humanities & Communication
Student contribution band : Band 1
ASCED code : 100700 - Communication & Media Studies
Grading basis : Graded

Staffing

Examiner:

Other requisites

Students undertaking the Professional Photography major will require access to a 35mm *DSLR camera; two manually operated, interchangeable lenses (that retain a constant aperture); a colour checker passport; and personal storage space (e.g. portable external hard drive, cloud storage). These will be used throughout all courses in the photography major.


*Students who are taking this course as an elective may rely on other styles of camera, including smart phone cameras.

If you wish to check the suitability of your camera, please contact the course examiner.

All students will have free access the ¾«¶«´«Ã½app’s Adobe Creative Suite software, so must ensure their computer has capacity to efficiently use the software. Students may incur extra resource costs for photographic printing.

All students will require access to e-mail and have internet access to UConnect for this course.

Rationale

Light is the basic language of photography. In order for students to progress their knowledge and skills in photographic imaging, they must understand the impact of light on a subject, and how it affects what is being communicated. This course is designed to provide students with the theoretical background and technical skills required to recognise, interpret and work with various forms of light, in order to enhance their professional or creative practice.

Synopsis

Students in this course will examine the principles of lighting and apply techniques to an emerging expertise in photographic imaging. Through practice-based learning, peer review, and academic inquiry, they will explore natural and artificial light sources in outdoor and indoor contexts, and investigate the theoretical principles of light both as a carrier and form of communication. Students will have the opportunity to develop and apply skills and knowledge in manipulating light for various professional communication or creative contexts, and will examine its effect on colour, subject, form and message. They will also begin to define, interpret and apply elements of photographic composition including line, shape, form, space and movement. Students will continue using raster graphic editing software such as Photoshop to develop more advanced techniques in digital imaging and compositing.

Objectives

On successful completion of this course students should be able to:

  1. Articulate the importance of light as a form of visual language
  2. Interpret and describe how light shapes and influences professional photographic practice
  3. Identify and analyse the work of photographers, and relate these to both professional communication purposes and theories, using appropriate and ethical communication contexts
  4. Apply emerging technical knowledge and skills for a specific professional context and purpose

Topics

Description Weighting(%)
1. Lighting contexts and influences 25.00
2. Technologies 30.00
3. Photographic interpretation 15.00
4. Composition and control 30.00

Text and materials required to be purchased or accessed

ALL textbooks and materials available to be purchased can be sourced from (unless otherwise stated). (https://omnia.usq.edu.au/textbooks/?year=2020&sem=02&subject1=PHT1001)

Please for alternative purchase options from USQ Bookshop. (https://omnia.usq.edu.au/info/contact/)

Fox, A & Sawdon, R 2015, Langford’s Basic Photography: the guide for serious photographers, 10th edn, Routledge.
((used across multiple courses in the photography major).)
Hirsch, R 2018, Light and Lens: photography in the digital age, 3rd edn, Routledge.

Reference materials

Reference materials are materials that, if accessed by students, may improve their knowledge and understanding of the material in the course and enrich their learning experience.
Busch, DD & Sullivan, MD 2015, David Busch’s mastering digital SLR photography, 4th edn, Cengage Learning.
Hunter, F; Biver, S & Fuqua, P 2015, David Busch’s mastering digital SLR photography, 4th edn, Cengage Learning.
La Grange, A 2013, Basic Critical Theory for Photographers, Focal Press, Taylor & Francis.
Lavine, J & Bartholemew, B 2019, Lighting for Photographers: an introductory guide to professional photography, Routledge.
Long, B 2015 2015, Complete digital photography, 8th edn, Cengage Learning.
Wright, T 2016, The photography handbook, 3rd edn, Routledge.

Student workload expectations

Activity Hours
Directed ¾«¶«´«Ã½app 39.00
Independent ¾«¶«´«Ã½app 126.00

Assessment details

Description Marks out of Wtg (%) Due Date Notes
Essay 100 15 13 Aug 2020
Project 100 35 17 Sep 2020
Portfolio 100 50 24 Oct 2020 (see note 1)

Notes
  1. This assessment item is completed progressively throughout the semester.

Important assessment information

  1. Attendance requirements:
    There are no attendance requirements for this course. However, it is the students’ responsibility to study all material provided to them or required to be accessed by them to maximise their chance of meeting the objectives

    Students must attend and complete the requirements of the Workplace Health and Safety training program for this course where required.

  2. Requirements for students to complete each assessment item satisfactorily:
    To satisfactorily complete an individual assessment item a student must achieve at least 50% of the marks for that item.

  3. Penalties for late submission of required work:
    Students should refer to the Assessment Procedure (point 4.2.4)

  4. Requirements for student to be awarded a passing grade in the course:
    To be assured of receiving a passing grade a student must achieve at least 50% of the total weighted marks available for the course.

  5. Method used to combine assessment results to attain final grade:
    The final grades for students will be assigned on the basis of the aggregate of the weighted marks obtained for each of the summative items for the course.

  6. Examination information:
    Not applicable.

  7. Examination period when Deferred/Supplementary examinations will be held:
    Not applicable.

  8. ¾«¶«´«Ã½app Student Policies:
    Students should read the USQ policies: Definitions, Assessment and Student Academic Misconduct to avoid actions which might contravene ¾«¶«´«Ã½app policies and practices. These policies can be found at .

Assessment notes

  1. Referencing in assignments must comply with the Harvard (AGPS) referencing system. This system should be used by students to format details of the information sources they have cited in their work. The Harvard (AGPS) style to be used is defined by the USQ library’s referencing guide. This guide can be found at .

Evaluation and benchmarking

In meeting the ¾«¶«´«Ã½app’s aims to establish quality learning and teaching for all programs, this course monitors and ensures quality assurance and improvements in at least two ways. This course:

1. conforms to the USQ Policy on Evaluation of Teaching, Courses and Programs to ensure ongoing monitoring and systematic improvement.

2. forms part of the Bachelor of Communication and Media
and is benchmarked against the internal USQ accreditation/reaccreditation processes which include (i) stringent standards in the independent accreditation of its academic programs, (ii) close integration between business and academic planning, and (iii) regular and rigorous review.

Date printed 6 November 2020