Semester 2, 2022 Toowoomba On-campus | |
Units : | 1 |
Faculty or Section : | Faculty of Business, Education, Law and Arts |
School or Department : | School of Creative Arts |
Grading basis : | Graded |
Course fee schedule : | /current-students/administration/fees/fee-schedules |
Staffing
Examiner:
Requisites
Pre-requisite: THT1004
Overview
Artists working/performing in a broad range of digitally based practical components are required to possess a sound knowledge and concomitant skills of the adaptation of live work processes and outcomes to fulfil the requirements of specific digital workflows and aesthetic adjustments. This course builds on the interpretive skills and knowledge and body/vocal training gained in THT1005 and THT1000, guiding students through a variety of authentic learning experiences wherein they apply those skills to the work environment and aesthetic requirements of digital production and distribution. Digital production includes voice-over work and acting for camera. Students should gain comprehensive fundamental knowledge and skills associated with the work environment and processes and stages of workflow in producing performance outcomes for the digital medium. These contextual knowledges and skills underpin the adaptation of live interpretation and performance skills and provides students with formative knowledge and skills leading towards a capability for independent production.
This course introduces students to vocal skills and techniques for text and spoken work. Students are introduced to a variety of articulatory techniques for enhanced clarity of spoken work. They subsequently negotiate processes for exploring sub textual meaning and kina textual qualities of spoken work prior to application in general voice over tasks in authentic recording environments. The acting classes for this course introduce students to the interpretive principles, approaches and skills for preparing screenplay scenes for performance to camera. In small student-crewed video shoots, participants negotiate the principle skills of acting for camera. The video recording process continues iteratively throughout the semester and is based on students occupying a rostered workflow of rehearsal, recording `shoots', post-production editing and reflective analysis to gain an all-round knowledge of the processual stages involved in producing performance work for digital delivery. Students will complete a series of authentic assessment tasks based on industry practice in digital performance training linked to real-world industry training experiences.
Course learning outcomes
On successful completion of this course students should be able to:
- Comprehend, recognize and apply vocal skills and knowledge for spoken performance and recording
- Comprehend and apply interpretive skills and analysis through process and performance
- Comprehend and apply skills and techniques for the digital production of performance work
- inhabit given circumstances in scene, action and character in a digital context
- Employ persuasive communication in disseminating reflective practice analysis and formulated strategies for development
Topics
Description | Weighting(%) | |
---|---|---|
1. | Voice: the skills of spoken text work | 20.00 |
2. | Interpretation and rehearsal/preparation of screenplay and texts for digital production | 20.00 |
3. | Application of skills and knowledge of performance in a digital work environment | 20.00 |
4. | Inhabitation of character and scene | 20.00 |
5. | Persuasive communication of reflective practice | 20.00 |
Text and materials required to be purchased or accessed
Student workload expectations
To do well in this subject, students are expected to commit approximately 10 hours per week including class contact hours, independent study, and all assessment tasks. If you are undertaking additional activities, which may include placements and residential schools, the weekly workload hours may vary.
Assessment details
Description | Group Assessment |
Weighting (%) | Course learning outcomes |
---|---|---|---|
Performance 1 | No | 25 | 1,3,4 |
Performance 2 | No | 25 | 1,3,4 |
Performance 3 | No | 25 | 1,2 |
Journal | No | 25 | 5 |